View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
View more
Date
25 September – 07 November 2025
Venue
Espace Jörg Brockmann
Curated by
Jörg Brockmann
I’m not used to taking photos like this. Stealing images. I don’t often do street photography when it comes to taking pictures of people, of passers-by. Here, the approach is all the more disturbing because these are people slumped over, asleep, collapsed on themselves, right there on the sidewalks. They had no say in the matter; I didn’t meet them in the sense that our eyes didn’t meet, and I certainly didn’t speak to them. I know nothing about them. I saw them as I wandered around the city in 2022. Mostly men, young and old, marked by life on the streets. Absent from themselves and others, as if dissolved, swallowed up by a nightmarish elsewhere. I walked through the city and saw these humans lying in the middle of the sidewalk, on the steps leading to the entrance of a brownstone, against a wall in a subway station. I saw people walking past them, brushing against them without seeing them, avoiding them with a glance that nevertheless touched them briefly. We don’t look. Out of modesty, out of fear. Yet I needed to document what I was seeing. So I decided to photograph them in the same way I passed them, like a passerby, with my phone held out at arm’s length, and to shoot continuously.
The images are not framed, they are raw, sometimes a little blurry, they are like my eye perceiving them without lingering. The images unfold like mini sequences in a film. Like you, I am discovering them. And I don’t want to close my eyes, to forget them.